| |
Madama Butterfly (Pinkerton)
There was no skimping or compromising this time around, though. Soprano Miriam Gauci’s bravura performance in the title role of the fatally credulous ex-geisha Cio-Cio-San was matched by tenor Zoran Todorovich’s almost heroic characterisation of the faithless Pinkerton, and the rest of the cast, down to the smallest roles, was without any weak links. As Pinkerton, Todorovich deployed his dark, sinewy tenor to suberb effect – effortlessly reaching the high notes in “Dovunque al mondo” and drawing wrenching picture of remorse in the final “Addio, fiorito asil.”
| Author: |
Joshua Kosman |
| Publisher: |
San Francisco Chronicle |
|
Norma
Tenor Zoran Todorovich. A real stroke of luck to see him on stage! – has mastered both aspects of the part of Pollione: the extrem heights (with that a!) and the diction that already announces Tristan.
| Author: |
Philharmonie am Gasteig, Munich |
| Publisher: |
Süddeutsche Zeitung |
|
La Damnation de Faust
…the hour has come for Faust, tenor Zoran Todorovich, who gracefully masters the challenges of this extremely difficult part during every moment of his performance. His timbre is affected by firmer brilliance, which shows to advantage not only in forte, Todorovich succeeds in projecting the entire dynamic spectrum of his part. And when he reaches the C sharp two octaves above the middle C during his duet with Margarete, the audience fully experience the extremity of Berlioz’s work.
| Author: |
Peter Hagmann |
| Publisher: |
Neue Züricher Zeitung |
|
La Damnation de Faust
With Egil Silins and Zoran Todorovich, the productionboasts two truly brilliant singers. Todorovich in the part of Faust switches between lyrical and dramatic tenor, and thus also succeeds beautifully during the softer passages.
| Author: |
Christian Berzins |
| Publisher: |
AZ Zeitung Basel |
|
La Damnation de Faust
Belgrade Singer Zoran Todorovich is a highly promising Faust: After a long barren period, Zurich is finally presented with cultivated, subtly performing artist who does not waste his tenor (with remarkably beautiful timbre!) on pointless roaring, and also convinces with his looks and his acting abilities.
| Author: |
Martin Etter |
| Publisher: |
Der Bund |
|
La Damnation de Faust
During the entire length of his part, Zoran Todorovich gave Faust a voice projecting warmth and humanity.
| Author: |
Klaus Schäden |
| Publisher: |
Berner Zeitung |
|
|
|
